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MILONGA GRAND OPENING: Thursday, March 4th, 2010.

ANGEL FABIAN CORIA

Actor and dancer, known primarily for his contribution in the Oscar-nominated movie Tango, by Carlos Saura.

Originally from the city of Benavidez in the province of Tigre, Angel Coria had his first encounter with the art and dance at the early age of seven, in Benavidez's "Sociedad de Formento y Cultura RICARDO GUIRALDES".

Angel began his professional career in 1985 when he joined the group "Ballet de la Plata", the winner of the COSQUIN competition of that year. An year later was invited to join the dance group of the Univesity of Belgrano under the artistic direction of Mrs. Norma Viola, who supported his debut. Later he joined the "Ballet Popular Argentino" under the direction of Santiago Ayala ("El Chucaro") and Norma Viola. At the same time was offered to join the cast of the National School of Dance MARIA RUANOVA as guest dancer.

From 1990 Angel worked with the Ballet Nacional Argentino where he held the position of assistant director/ substitute choreographer. At the same time he directed and produced the choreography for a television program named "El Gran Debut por ATC". In 1995 Angel joined the company of Mariano Mores with whom he produced many shows presented nationally and internationally.
In 1996 Angel travelled to Japan with the group of Jose Colangelo. In 1997 Angel Joined the company of Juan Carlos Copes for the production of "Entre Borges y Piazzolla" under the direction of Manuel Gonzales Gil and the general production of ARTEAR Argentina. This work was awarded with " 5 estrellas de mar ". In the same year(1997) he participated in the production of the movie "Tango" where he held the position of dancer and assistant director for choreography, under the general direction of the Spanish filmmaker, Carlos Saura.
In 1998, Angel travelled to China directing and choreographing the show "Buenos Aires Bohemia" which ran for an entire six months period in Shanghai. Upon his return from China he was invited to join again the company of Juan Carlos Copes until the year 2002. With this company he toured extensively nationally and internationally. In 2003 Angel returned to Japan with the company of Osvaldo Berlingieri. In Buenos Aires, Angel worked in most prestigious shows such as "Noche Portena" and in theatres such as "Viejo Almacen" (where he also held the position of artistic director and choreographer), "Senor Tango", "Miguelangelo", "La Ventana", "Sabor a Tango".

Concomitant with his performing career, Angel Coria carried on a teaching career, offering programs in the country's interior, as well as in Buenos Aires. For the years 1990, 1997 and 2001 he held the summer courses at the Teatro Colon. Angel was also part of the teaching body for the National University Institute of Art (I.U.N.A.). He offered classes at the University of Tango and, since 2002 to present, has been offering tango instruction at the Escuela Argentina de Tango (E.A.T.). Beginning with 2003 Angel acted as jury member during the Metropolitan and World Tango Championships, held yearly in Buenos Aires.
Resources:
www.dancecalgary.com
Tango Performance 1
Tango Performance 2
Tango Performance 3
Tango Performance 4
Tango performance 5

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Come and join us at this waterfront venue which offers magnificent views with a relaxing atmosphere. Spend an evening of the elegant, rhythmic, and passionate Argentine tango, danced to the best music of the old and new tango era.
Tango classes, from beginners to advance levels, are offered on a regular basis.

When traveling by bus from downtown Vancouver - say Burrard Street and West Georgia, take bus number 2 or 22. The bus stops at Cornwall and Cypress Streets -- walk three blocks north on Cypress Street towards the water. The Museum is located at Ogden and Cypress. To downtown Vancouver take bus number 22 from Cornwall and Cypress Street on the south side of Cornwall.

Why dance argentine tango? Read article

Related Dances

Argentine Tango dancers usually enjoy two other related dances: Vals (waltz) and Milonga.

Tango dancers dance the Vals much like they do tango, only with a waltz rhythm that has one beat per measure (at a beginner-level). This produces a rather relaxed, smooth flowing dancing style in contrast to Viennese Waltz where the dancers often take 3 steps per measure and turn almost constantly. Experienced dancers alternate the smooth one-beat-per-measure walk with syncopated walks, stepping on one- two- or (rarely) all three beats in a measure. Vals is characterized by its lack of pauses, and continual turns (giros) in both directions.

Milonga is essentially Tango; the differences lie in the music, which has a strongly-accented beat, and an underlying "habanera" rhythm. Dancers avoid pausing, and often introduce syncopations called traspies and broken rhythm into their walks and turns. Milonga uses the same basic elements as Tango, with a strong emphasis on the rhythm, and figures that tend to be less complex than some of those danced in some varieties of Tango.

Milonga is also the name given to tango dance parties. This double meaning of the word milonga can be confusing unless one knows the context in which the word "milonga" is used. People who dance at milongas are known as milongueros.

Styles of Argentine Tango

Tango canyengue
"Tango canyengue" refers to a style of Tango danced until the 1920s. Reportedly, the long tight fashion in dresses of that era restricted the follower's movements. Consequently, the style involves short steps. The dancers tend to move with knees slightly bent, the partners slightly offset, and in a closed embrace. The style tends to be danced to a 2/4 time signature.

Tango orillero
Tango orillero refers to the style of dance that developed away from the town centers, in the outskirts and suburbs where there was more freedom due to more available space on the dance floor. The style is danced in an upright position and uses various embellishments including rapid foot moves, kicks, and even some acrobatics, though this is a more recent development.

Salon Tango
Salon Tango was the most popular style of tango danced up through the Golden Era of the dance (1950's) when milongas (tango parties) were held in large dance venues and full tango orchestras performed. Later, when the Argentine youth started dancing rock & roll and tango's popularity declined, the milongas moved to the smaller confiterias in the center of the city, resulting in the birth of the "milonguero/apilado/Petitero/caquero" style.
Salon Tango is characterized by slow, measured, and smoothly executed moves. It includes all of the basic tango steps and figures plus sacadas, barridas, and boleos. The emphasis is on precision, smoothness, and musicality. The couple embraces closely but the embrace is flexible, opening slightly to make room for various figures and closing again for support and poise. The walk is the most important element, and dancers usually walk 60%-70% of the time during a tango song.
When tango became popular again after the end of the Argentine military dictatorships in 1983, this style was resurrected by dancers from the Golden Era: Gerardo Portalea (still living), El Turco Jose (still living), Milonguita (deceased), "Finito" Ramón Rivera (deceased), "Lampazo" Jose Vazquez (deceased), Virulazo (deceased), and Miguel Balmaceda (deceased)in the milongas at Club Sin Rumbo, Sunderland, and Canning. One of the most famous examples of the elegant Salon style is the [Villa Urquiza]' style, named after the northern barrio of Buenos Aires where the clubs Sin Rumbo and Sunderland are located.

"Estilo milonguero" (tango apilado/confiteria style)
This style originated as the 'petitero' or 'caquero' style in the 1940s and 50s in closely packed dance halls and "confiterias", so it is danced in close embrace, chest-to chest, with the partners leaning - or appearing to lean - slightly towards each other to allow space for the feet to move. There are not many embellishments or firuletes or complicated figures for the lack of space in the original milonguero style but now also those figures are danced, which only at first glance seem impossible in close embrace. Actually, a lot of complicated figures are possible even in milonguero.
Although the rhythmic, close-embrace style of dancing has existed for decades, the term "Milonguero Style" only surfaced in the mid- '90s when the name was created by Susana Miller, who had been the assistant to Pedro 'Tete' Rusconi. Many of the older dancers who are exponents of this style (including 'Tete') prefer not to use the label.

Tango Nuevo
Tango Nuevo is a dancing and teaching style. Tango nuevo as a teaching style emphasizes a structural analysis of the dance. It is a result of the work of the "Tango Investigation Group" (later transformed into the "Cosmotango" organization) pioneered by Gustavo Naveira and Fabian Salas in the 1990's in Buenos Aires. By taking tango down to the physics of the movements in a systematic way, they have created a method of analyzing the complete set of possibilities of tango movements, defined by two bodies and four legs moving in walks or circles. This investigation provided a view of a structure to the dance that was expressed in a systematic way.
In walks, their explorations pioneered what were once called "alterations" and are now called "changes of direction" or "cambios". In turns, they focus on being very aware of where the axis of the turn is (in the follower/in the leader/in between them). This tends to produce a flowing style, with the partners rotating around each other on a constantly shifting axis, or else incorporating novel changes of direction.
Many of the recent popular elements in tango vocabulary, such as Colgadas, owe their debut on the tango scene to the popularity of Gustavo's and Fabian's approach.
From this teaching style, a new and unique style of dancing has developed, called by many a "tango nuevo" style. The most famous practitioners of "Tango Nuevo" are Gustavo Naveira, Sebastian Arce, Fabián Salas, Chicho Frumboli, and Pablo Verón. Interestingly enough, all of these dancers have highly individual styles that cannot be confused with each other's, yet can be easily recognized as Tango Nuevo.
Tango Nuevo is often misunderstood and mislabeled as "Show Tango" because a large percentage of today's stage dancers have adopted "tango nuevo" elements in their choreographies.
Tango fusion
Fusion of tango music/dance with contemporary music/dance (e.g. electronic tango). More about Alternative Tango, Neo Tango and Tango Fusion here, see also tango fusion article.

Show tango
Show tango, also called Fantasia, is a more theatrical and exaggerated form of Argentine tango developed to suit the stage. It includes many embellishments, acrobatics, and solo moves. Unlike other forms of tango, stage tango is not improvised and is rather choreographed and practised to a predetermined piece of music.